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Where does the money come from, Karl?

Where does the money come from, Karl?

Alpina Publisher, 2018

Having created six fiction books, Elena Kotova changes her writing genre. Non-fiction, pop-science about economics and economic history. One of those rare books that provides life changing knowledge.

Where does the money come from? How is social wealth created? Does Russia have its own "special path"? The author answers these questions analyzing the most significant theories and the largest reforms of the 20th century, constantly comparing Western countries and Russia.

Elena Kotova begins her story about the path traversed by the West and Russia in the XX century, about the development of world economic laws analyzing the doctrine by Karl Marx. The most paradoxical statement of the author is: the iconic reformers of the 20th century - Stolypin, Witte, Roosevelt, the inventor of the "German miracle" Ludwig Erhard, the grocer’s daughter Thatcher - cleared the way for the laws discovered by Marx. Great theorists Keynes, Friedman, Samuelson, declaring their "anti-Marxism", used these laws to the fullest, believing that the latter had opened up to the world by themselves. And Marx became famous as the author of only one idea - the "dictatorship of the proletariat", which was taken up by the bloody dictators and demagogues of the 20th century. Meanwhile, by the middle of the 20th century, the leading countries had overcome both the "exploitation" and "oppression" that so resented Karl. And what's left? The laws remained - natural, which cannot be canceled. Elena Kotova explains the most complex economic matters in a simple and lively language, seasoned with a fair amount of humor.

The story of the theories and reforms of advanced countries now and then returns to Russia. The author explains the reasons for its backwardness, defects in the tax system, corruption, failure of “diversification and modernization”, fear of foreign investors. Nevertheless, - Kotova believes, - Russia is developing, albeit slowly and painfully, there are many examples of this in the book. It is precisely the “defect of thinking” that prevents one from moving faster. Aggressive arguments of a pair of millions of "intellectual and educated" do not lead to an agreement about where to move. And the rest of the people, who are not at all stupid and certainly not to blame for the fact that their mind and way of life have been crippled for centuries, have been discouraged to think what kind of country they’d like to have.

Elena Kotova declares: “Money is created either by the free labor of a free person, and then people themselves turn their state into a developed country. Or - by the labor of a person who gave up his freedom to the state for the sake of the illusion of justice and equality. Then the money is an order of magnitude less, and it goes not to people, but to the state. At the same time, the state can make atomic bombs and cruise missiles, but most people will still only survive, and the country will remain backward".

“There will be no money and no development in the country as long as traditional Russia lives with its myths of the past. There is no other way for it but to follow the way of the developed countries of the Atlantic".

"A person works either for profit or under threat of punishment".

Provocation

Provocation

VECHE, 2016
This is a novel about an unusual character, who got into an unbelievable situation: a young lady is haunted by four secret services and she is under investigation of two prosecutions – in Russia and in Britain. Varya, a Board director of an international bank, is turned overnight into a criminal. This so absurd, it’s practically Kafka! The only way for Varya to cope with it is to write a novel, turning her grim reality in noir comedy. In this novel Varya finds all clues as to how the provocation against her happened. She sees clearly all provocation’s participants, knows exactly what each secret service officer in which country says and does, she understands the triggers and the motives, she sees through the curtains. And… she falls in love with her British lawyer, Matthew Darsy, who appears to be the white knight, rescuing her. It could not be otherwise: when you cope with unconceivable reality, there is no world and no life beyond the world, which you build for yourself. It does not matter, if this world is real or not. Matthew rescues Varya, they are both in love, they celebrate their victory in Matthew’s house in England. Embracing Matthew in her sleep, Varya hears a strange sound…. She gets up, opens the door… and there the Moscow police raids into her Moscow flat with a search warrant.. Borders between reality and fantasy get blurred, now, it is the main character, who struggles to conceive where the reality is. She feels that all, what is happening to her, has been pre-determined by those forces behind the scene, that only appeared to be fictional. She perceives herself to be a marionette in their power games. Thriller mixed with love melodrama materializes into ruthless reality and does not want to end. Varya decides – against all odds – to return to England. Not to embrace Matthew, but to stand the criminal trial. Most likely Varya is insanе, but the author observes her heroine and thinks that there is only one thing, that Varya knows to be real and true: she must regain her freedom.
Code of dishonor

Code of dishonor

VECHE, 2015
Code of Dishonor A novel by Elena Kotova (Moscow, 2015, publishing house ‘Veche’) This heart-stopping thriller about Russian business elite unfolds in the new millennium. Konstantin Alexandrov, the owner of the largest private Russian bank, prepares a colossal deal with foreign investors. Platon Sklyar, a successful corporate raider with skills worthy of Wall Street, builds a gigantic conglomerate through mergers and acquisitions. He aims not just at self-enrichment, but also at modernizing the obsolete Russian timber industry. Both are the new breed, determined to avoid the customary corporate wars and to overcome the unsavory business practices of the 1990’s. They are driven not just by money, but also by desire to want to give their children a more honorable country than the one in which they made their billions. Their nemesis, Yury Cherniavin tries but fails to elicit Alexandrov’s protection from Sklyar’s hostile take-over of his pulp mill. He is forced to sell his asset to Sklyar. Entrenched in the tit-for-tat mentality, he feels robbed and wants revenge. He exploits the state’s paranoid suspicion of foreigners and uses his crony officials to hinder Alexandrov’s deal with Italian investors. Sklyar’s aggressive acquisitions culminates in a hostile take-over of a landmark pulp enterprise, with raid and shooting, which unleashes a 90’s-style war across the entire northern Russian region. Alexandrov’s bank is the financier of this massive and expensive war. The bank resources get drained and it fell under a prejudiced state scrutiny. Prior to Alexandrov’s happy marriage of 17 years, he loved romantiс girl Lydia. After their split Lydia’s heart was broken and she happened to have married Cherniavin. Her life is miserable, she dreams of sending her two daughters to study in the UK, away from the tyranny of their father. She turns for a help to Alexandrov, and reluctantly confesses that Masha, her oldest, is actually Alexandrov’s daughter. Alexandrov commits to sending all three ladies to London and to pay for the girls’ education. Cherniavin is enraged and goes as far as putting his wife Lydia to a mental hospital. Masha dashes to Alexandrov for help, and they start building friendly trust. Eventually Alexandrov helps Lydia and her daughters to get to London, not without a helping hand from Sklyar, who forced Cherniavin to allow this departure, having blackmailed him. Meanwhile, Sklyar presses Alexandrov to sell the controlling stake to an obscure financial group. Alexandrov does not hold a grudge against Sklyar: it’s only business. But another shock is underway: in Oxford, Masha Cherniavina meets Pavel Sklyar, the son of the mogul. The young people fall in love. Sklyar-father is adamantly against a union between his son and the daughter of Cherniavin. He seeks advice from Alexandrov, not knowing who Masha’s real father is, and this awkward conversation ruins their friendship. The war in the North grows, and Sklyar is tragically killed by a sniper. His son, Pavel and Masha have enough money, and want to have their own life, unencumbered by the “Wild West” of Russian business. Masha expected that Alexandrov would handle the Sklyar empire, but yet another misunderstanding leads her to believe that Alexandrov betrayed her and the memory of his friendship with Sklyar-father. After the loss of his bank, Alexandrov recovers at resorts in Europe. From TV news he learns that the UK police had arrested Cherniavin on allegation of murder of Platon Sklyar. Now it is his duty to tell Masha who her real father is, so that the girl does not live for the rest of her life believing that her father killed the father of her future husband. Masha goes into denial: “How lovely, there were two father scoundrels, now there are three of them”. To her, Sklyar is a raider, Alexandrov is a traitor, and they are hardly better than Cherniavin: they lie, they deceive, they follow rotten practices of the country which Masha only wants to forget. Alexandrov tries to be heard by his daughter. Neither Masha, nor her husband would ever be free from the money of their fathers. This money has bought them a place in a better country. Children are not free to deny their fathers their Code of Honor, and certainly not free to equate them with the likes of Cherniavin. Despite her youth’s maximalist vigor, Masha reluctantly has to accept the Alexandrov’s wisdom: judging and punishing their fathers is not going to make her and Pavel any happier. They both have to live and to cope with the legacy they have. Oddly, it is in this difficult conversation that the reader – unlike the novel’s characters – finds out the whole truth about Sklyar’s death, which was by far a more complicated affair than a traditional Russian contract killing. About the author: Elena Kotova’s path through life is remarkable and unique. She had become a renown writer after a successful career as an economist, later as a prominent international financial figure. Her other major works include: Kashchenko! Notes of a not-a-crazy (2015), bestseller; Half-Life (Period poluraspada) (2014), bestseller, Literary award “The Book of the Year 2015”; Women’s Corporation (Aktsionernoye Obshchestvo Zhenshchin) (2012); Newton’s Third Apple ( Tretje Yabloko Newtona). 2012; Keeping It Easy! (Legko!), bestseller, 2011
Half-life

Half-life

VECHE, December 2014
The novel “Half-life” (2014) is already appreciated by the reader, who perceive it to be a story about “Gone with the Wind. From Tambov to Long-Island”. All names are real, and all characters are fictional. Very unorthodox and provocative story. The characters inhabiting this unorthodox novel by the Russian-American author Elena Kotova are real, actual people, some of whom have been well-known in the past (Commissar Ordzhonikidze, composer Khachaturian, violinist Oistrakh, US Ambassador to the Soviet Union W. A. Harriman), and are well-known in the present (Mayor Luzhkov, tycoons Khodorkovsky and Gusinsky, Central Bank chair Gerashchenko). We begin the story on the first day of the twentieth century in the city of Tambov, where a noble family is raising seven brothers and sisters; and we end the story on the first day of the twenty-first century, among the skyscrapers of New York, home to two distant fifth-generation cousins of the same family who barely know each other. In between these two moments in time we live through unexpected twists of fate, we settle into the warmth of family routine, we suffer through internal family conflicts and external tragedies, we witness how the family copes with the inevitable half-lifes of each generation, which divide the family into the “before” and the “after”. Many questions haunt us throughout the novel, and the one which is the most poignant to the contemporary reader is how does this family's story, begun in the idyllic setting of a noble life in provincial Tambov, end on the shores of the New World. The new book by Elena Kotova is indeed the novel of the century, a courageous work of art built around real-life events and people.